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Feb 21, 2019

Hospitality is a no holds barred indie thriller with compellingly memorable characters and a healthy dose of Americana pulp. It’s not horror, per se, but utilizes a number of  horror elements which very effectively flavor this southern fried neo-noir with a fun, enjoyable eeriness.

We sat down with writer/director duo, David Guglielmo and Nick Chakwin, who were kind enough to take us through their journeys on getting Hospitality (their second film) off the ground and into a theatrical release. Along the way, we dug into details about how they broke into filmmaking and had a great chat that ended up LOADED with gems of insight for aspiring indie filmmakers. We got into everything from their directing and writing processes along with tips for getting your script into the hands of the right producers. Lots of great advice in here (might want to take notes on this one).

Top Insights from David Guglielmo & Nick Chakwin

  • If you can’t afford rehearsals, hire existing chemistry among actors. Chemistry between actors is a critically important asset and is typically achieved during the rehearsal process. When making Re-Animator, Stuart Gordon extensively rehearsed the entire script night after night for weeks with the cast, as if it were a play (it helped that his cast consisted of former stage actors).

However, given the nature of low budget, indie filmmaking, you can’t always find time to rehearse, therefore, consider hiring actors who have an existing relationship. This is exactly what Nick and David did with two of their key actors in Hospitality, Emmanuelle Chriqui & JR Bourne, who knew each other for literally, decades. Chemistry always translates on screen and strengthens the believability of your characters' relationships and therefore strengthens the movie. So if you can’t build chemistry, hire preexisting chemistry between actors who have either worked together on previous productions or are close friends.

  • Find peripheral jobs. When he was raising money for his first film, David’s casting director offered him a job as an assistant. This endeavor further enabled David to make relevant connections and get to know the inner workings of casting, filmmaking, and producing which translated into priceless industry knowledge. Rather than picking a job outside of the industry you want to be in, find ways to work within it so those years can be productive for the knowledge they can provide and the relationships they can solidify.
  • Just shoot already! Nick said that the best advice he got when he was trying to film his first movie, was to go film his first movie. In the throes of fundraising for their first feature, No Way to Live, Nick and David realized that the magic budget number they were aiming for, wasn’t entirely necessary and that they needed to get production underway immediately. The momentum signaled to other producers that they were the real deal and it also added a sense of urgency to their producer pitches, which helped them get investment decisions made faster.